An arc of colossal mountains cuts through Asia. Their stoic barricade
dictates many borders – political, cultural, agricultural – and rebuffs the
faint of heart. The merciless, serene peaks attract
pilgrims of many kinds from many places. Within China, tourism to the
Tibetan terminus of the Himalaya increases annually at a frightening place.
It is here, near Nyingchi (ཉིང་ཁྲི་ས།), that we find the orogen’s Eastern anchor: Namcha Barwa.
Namcha Barwa sits proudly as Earth’s easternmost peak over 7600 meters,
and the canyon over which it presides is renowned for being the deepest
on the planet. The extraordinary vistas along the Yarlung Tsangpo (ཡར་ཀླུངས་གཙང་པོ་) Grand
Canyon attract legions of nouveau riche tourists. Still, these mountains play
critical roles in shaping the daily lives of Tibetan people.
It is important to remember that the “what” of the mountains must be preceded by
an associated “how” and “why”. In order to fully appreciate the magnificence of Namcha
Barwa and its kin, one must be able to look not only out across the valley,
but also down at the earth beneath your boots.
The Himalaya have been squeezed up from the depths by continental
might. As the northern-bound India forces Tibet to ascend ever skyward,
it has also buckled, broken, mangled, and melted the remains of an
ancient seafloor. These ancient sediments are now the rippling arteries
of mountains. In order to identify the source of the mountains’ might, we
must simply peel away the surface.
In order to tell this more complete story of Namcha Barwa to the inevitable onslaught of tourists, I propose a
geologic museum situated along a “small” ridge within the Yarlung Tsangpo Grand Canyon. More
specifically, I propose that a mountain itself becomes a museum when a decisive cut renders the
exquisite stone structures of the Himalayas strikingly visible.
Project initiated as part of Zhang Ke’s 2017 GSD Studio titled Tibet Contemporary.